Nicola Singh

the sounds here are bouncing around us and Susan and Anne and that object

16 March – 14 May 2017

Nicola Singh (born Newcastle) works with performance, object and text, making work in response to the contexts of location and place, encounter and dialogue, feelings and chance.

For the sounds here are bouncing around us and Susan and Anne and that object, Singh has devised a programme of live events, readings and workshops that present a feminist discourse on the voice in performance, in writing and in the making of things. Beginning with the empty gallery, this programme will ultimately generate a ‘performed or workshopped’ exhibition.

The series of workshops will centre on these core themes and include shared exercises in moulding clay, drawing and paper-based activities and simple choreographic experiments using cloth mannequins. The results will be displayed as part of the exhibition as further collaborations that each extend Singh’s thinking around feminist modes of production and display in contemporary art practices.

Singh will also present two new collaborative performances as part of this project. A ‘sung and spoken’ performance with artist Harriet Plewis that will function as something of a dialogue; the work follows on from a previous collaboration through which the two artists explored the unguarded act of conversation.

A choreographic negotiation of the body in performance developed with artist Hannah Buckley. The artists will explore scales of movement, gesture and postures in relation to the voice and the objects gathered together in the gallery.

Singh will also work with two artists who remain anonymous. Their performance will play out the a shared fantasy to experience the power and characterisation of the mysterious masked wrestler Kendo Nagasaki, who famously never speaks or removes his mask.

Each collaboration will be photographed by artist Fiona Larkin for Singh to reproduce into large-scale prints that will take over the gallery, dominating the space with the scaled-up bodies of the female performers.

To conclude this series of events, Singh has a programmed an evening of readings in the gallery by artists whose work explores notions of the voice in relation to self-expression. The readings will be performed over Skype, presenting the voice at an awkward close-up proximity to the listener.

The exhibition will also feature contributions by textile artist Naomi Daley and a painting by artist Flora Whiteley.



The creative vision and administration of the top floor of BALTIC 39 is managed by BALTIC Centre for Contemporary Art. BALTIC’s project space offers artists and guest curators creative freedom to experiment and innovate, enabling them to stretch the boundaries of contemporary art practice.

BALTIC’s reputation and recognition for responding to artists’ creative ambitions with the highest levels of technical presentation attracts the most exciting practitioners to BALTIC 39, ensuring that this gallery not only develops a loyal public audience but also quickly gains the attention of the wider visual arts sector.

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